A significant donation of art works by collectors Edith and Bernard Lewin established the Los Angeles County Museum of Art (LACMA) as one of the nation’s largest repositories of Latin American art. A select portion of the permanent collection is on view in the Latin American Art galleries on the fourth floor of the Art of the Americas Building. The permanent exhibition includes ecclesiastical gowns from the Spanish colonial era as well as the Virgin of Guadalupe (Virgen de Guadalupe), a painting by Antonio de Torres (c. 1725).

LACMA is open Monday and Tuesday 11 a.m. to 5 pm., Fridays 11 a.m. to 8 p.m., and 10 a.m. to 7 p.m. on Saturdays and Sundays. For more information visit lacma.org.

Also on view at LACMA are socio-political criticisms manifested in art by the Taller de Gráfica Popular (“The People’s Print Workshop”), commonly known as the TGP, an artist collective dedicated to promoting anti-nationalist views through the realistic depiction of life’s hardships. Works include linoleum cuts and prints by TGP founders, Luis Arena, Paul O’Higgins, Raúl Anguiano and Leopoldo Méndez.

Diego Rivera and Frida Kahlo were a power couple in the Mexico art scene and beyond. Kahlo became famous around the world for her self-portraits and still-life oil paintings. The 18-year-old Kahlo began to discover painting during her recovery after a major traffic accident. Kahlo’s painting Weeping Coconuts (Cocos gimientes) is a great example of her style, a mixture of Mexican folk art and surrealism. Weeping Coconuts is part of LACMA’s permanent collection and is currently on view in the Latin American Art galleries.

Diego Rivera is renowned for portraits of his wife, the iconic Kahlo, and his larger-than-life mural art, which was greatly influenced by his years spent in Europe, in particular the beauty of Italian frescoes. Flower Day (Día de Flores) is perhaps his most famous work, and one of L.A.’s unexpected masterpieces. The 1925 painting is one of Rivera’s earliest depictions of a calla lily vendor. The majestic flowers are seen from above in all their beauty. Flower Day is an audience magnet when it’s on view at LACMA.

Muralists José Clemente Orozco, Diego Rivera and David Alfaro Siqueiros were known as "Los Tres Grandes" (the Big Three). Orozco, however, was more interested in capturing real life moments to help nurture a New Art for the New World. His 1929 painting Street Corner, Brick Building (Esquina, edificio de ladrillo) is an example of this notion: it’s a street scene many urban residents around the world can still relate to today.

Focused on enhancing the understanding and appreciation of diverse cultures from around the world, the Fowler Museum at UCLA offers visitors the unique opportunity to get acquainted with a quintessential Mexican symbol: the “Tree of Life” figurines. The ceramic or clay sculptures may emphasize biblical or historical events in intricate detail and vary greatly in size. Also on view at the Fowler, Intersections: World Arts, Local Lives is a long-term exhibition features approximately 250 objects from the Fowler's collections, dating from the first millennium B.C.E. to the present. Intersections celebrates the richness of world arts and considers the roles these works of art play in peoples' lives. Currently on view in the exhibition is La Calavera Don Quijote, a Mexican cartonería (paper-maché sculpture) by artist Felipe Linares. The sculpture is inspired by José Guadalupe Posada’s rendering of Miguel de Cervantes’ beloved character, Don Quixote.

The Fowler Museum is open Wednesday noon to 5 p.m., Thursday noon to 8 pm, and noon to 5 p.m. Friday through Sunday. For more information, visit fowler.ucla.edu.

Flowers are a recurring symbol in Diego Rivera’s work. The 1941 masterpiece The Flower Vendor (Girl with Lilies) is on view at the Norton Simon Museum in Pasadena. The painting shows a young woman, her back turned, embracing a bundle of white lilies. Rivera’s art was a tribute to the culture and tradition of the Mexican people. “There is need for an art profoundly pure, precise, profoundly human and clarified as to its purpose,” Rivera said in 1929. A contemporary of Rivera and Kahlo, Manuel Alvarez Bravo, captures everyday life vignettes in his photography. Several of his photographs belong to the Norton Simon’s permanent collection.

The Norton Simon Museum is open Monday, Wednesday and Thursday noon. to 5 p.m., Friday and Saturday 11 a.m. to 8 p.m., and Sunday 11 a.m. to 5 p.m. For more information, visit nortonsimon.org.

Selected works by Manuel Alvarez Bravo are also on view at the Museum of Latin American Art (MOLAA) in Long Beach. The museum remains the only institution nationwide that is dedicated exclusively to presenting masterpieces by modern and contemporary Latin American artists. The building, designed by famed Mexican architect Manuel Rosen, houses two exhibitions that draw from 1,300 works of art in MOLAA’s permanent collection. In addition, two galleries and one project room offer a wide range of temporary exhibitions. The Sculpture Garden features a permanent display of over 30 abstract and figurative sculptures, representing a wide range of styles and almost one artist per Latin American country.

The Museum of Latin American Art is open Wednesday through Sunday from 11 a.m. to 5 p.m. and Friday from 11 a.m. to 9 p.m. For more information, visit www.molaaa.org